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Sterling and Francine Clark Art Institute Library

Archive-It Partner Since: May, 2013

Organization Type: Museums & Art Libraries

Organization URL: http://www.clarkart.edu/   

Description:

Established in 1962, the Sterling and Francine Clark Art Institute Library is one of the major art history reference libraries in the country. Focusing on post-medieval art, the Clark Library’s collection is outstanding in Italian and Northern Renaissance, Baroque, and French nineteenth-century, history of photography, and contemporary art fields and is well balanced in other areas as well. The Library’s resources include approximately 280,000 books, bound periodicals, auction sales catalogues, as well as a growing collection of digital assets. The Library holds a collection of over 5,000 contemporary artists’ books, the Julius S. Held Collection of Rare Books, the Mary Ann Beinecke Collection of Decorative Arts, the David A. Hanson Collection on the History of Photomechanical Reproduction, and the Allan Sekula Library. Of note is the Library’s Institutional Archives and the Sterling and Francine Clark Papers which include diaries, correspondence, inventories of artwork, and personal papers of the Institute’s founders.

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Title: #ONVACATION Enter For Your Chance To Win A Vacation

URL: http://on-vacation.info/

Collection: Venice Biennale 2015 on the Web

Description: Artist Intervention at the Venice Biennale 2015. Website. Titled: #ONVACATION : Enter for Your Chance To Win A Vacation. "...is an anonymous action targeting occupation, media representation of military aggression, and our consumer relationship to these events. Choosing the 56th International Art Exhibition of the Biennale di Venezia as its platform, the project invites participants to engage in an ongoing occupation of the pavilion of “an occupying power of your choice.” Members of an anonymous team distribute information and uniforms emblazoned with the “#onvacation” logo, asking Biennale-goers to dress themselves as as a military force while simultaneously asserting that they are “on vacation.” As vacationers, these occupiers then document themselves via social media by posting selfies to Twitter and Instagram, creating an ongoing document of the action in digital space. These posts function as both document and entry into the sweepstakes, which promises a “free vacation.” On further examination this “free vacation” is in fact to the occupied Crimean peninsula, in the seaside town of Balaklava, eponymous of the ski mask used by the peninsula’s invaders in 2014. In doing this the fixed role of participant constantly blurred between the consumer media experience of military conflict and the real offer to interface with an actual conflict." -- #ONVACATION website

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Subject:   Art, Modern -- 21st century -- Exhibitions Biennale di Venezia (56th : 2015 : Venice, Italy)

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