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Sites and collections from this organization are listed below. Narrow your results at left, or enter a search query below to find a collection, site, specific URL or to search the text of archived webpages.
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Archived since: Jan, 2018
Description:
The website contains examples of her compositions in the form of embedded audio and video files and a biography of the artist. Kim's music incorporates several instruments and electronic elements. She is also a sound engineer and performer on the cello and piano. Capture of the site began in May 2017.
Subject: Arts & Humanities , Society & Culture
Creator: K. Marie Kim
Archived since: Jan, 2018
Description:
Michael Robinson is a prolific American composer who uses various instruments to create and perform his South Asian and European inspired music. Active since 1969, he has composed over 450 pieces on 113 albums. He has been a lecturer at such institutions as UCLA, Bard College, and California State University, and has produced a series of interviews with masters of various music styles. He currently lives in Los Angeles, California.
Subject: Arts & Humanities , Society & Culture
Creator: Michael Robinson
Archived since: Nov, 2013
Description:
Covers four editions of Edible Magazine (Manhattan, Brooklyn, New jersey, and Hudson Valley).
Subject: Arts & Humanities , Science & Health, Society & Culture , Food Studies
Creator: Tim Johnson
Archived since: Aug, 2015
Description:
Deep Dish TV was launched in 1986 by Paper Tiger TV as a distribution network, linking independent producers, programmers, community-based activists and viewers who support movements for social change and economic justice. The network has produced and distributed over 300 hours of television series that challenge the suppression of awareness, the corruption of language, and the perversion of logic that characterizes so much of corporate media. Deep Dish TV is committed to democratizing media by providing a national forum for programming created by community-based organizations and independent producers. Their programs are shown on over 200 public access cable stations around the country, on selected PBS stations, and received by thousands of satellite dish viewers nationwide on Free Speech TV channel 9415 on the DishNetwork and LinkTV on DirecTV.
Subject: Arts & Humanities , Society & Culture , Public-access television--United States, Deep Dish TV Network
Publisher: Deep Dish TV Network
Collector: Fales Library & Special Collections
Archived since: Jun, 2014
Description:
Founded by director Jeanette Ingberman and artist Papo Colo as an alternative art space in 1982, Exit Art was an interdisciplinary cultural center that presented innovative exhibitions, films and performances that reflected a commitment to contemporary issues and ideas. With a substantial reputation for curatorial innovation and depth of programming in diverse media, Exit Art was always changing. During its first decade, Exit Art presented artists whose work challenged notions of race, ethnicity, gender, sexuality, and equality. It mounted a series of mid-career retrospectives which helped to bring wider public attention and critical acclaim to artists who are now firmly established, including Jimmie Durham, Willie Birch, Krzysztof Wodiczko, Tehching Hsieh, Martin Wong, Adrian Piper, David Wojnarowicz and David Hammons. In its second decade, Exit Art identified a new generation of young, emerging artists with diverse backgrounds and organized a series of exhibitions, launching the careers of artists such as Shirin Neshat, Fred Tomaselli, Nicole Eisenman, Roxy Paine, Patty Chang, Julie Mehretu, Sue DeBeer, Rirkrit Tiravanija and Chakaia Booker. Fever (1992), the first exhibition in the series, was named one of the ten most important shows of the decade by Peter Plagens in Newsweek. In its final decade, Exit Art became a leading voice in experimental art, producing exhibitions that illuminated the pressing issues of its time while supporting artists whose works reflected cultural transformations. By 2012, its 30th and final year, Exit Art had organized more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists.
Subject: Arts & Humanities , Society & Culture
Archived since: Mar, 2015
Description:
Fortnight Journal was a project created by Samantha Hinds and Adam Whitney Nichols in 2010 to document individuals from the Millennial generation, people born from 1978-1990. Fortnight Journal was a publication of Fourteen Foundation Inc, a nonprofit devoted to reviving cross-generational mentorship by documenting and sustaining dialogue on traditional forms of practice.
The The website was active from 2010-2012 and produced 4 editions from 14 contributors. Each contribution consisted of work produced by the subject as well as a short documentary on the individual.
Subject: Arts & Humanities , Blogs & Social Media, Society & Culture
Archived since: Aug, 2015
Description:
This collection consists of the website for the New York Feminist Art Institute from 2010-2017, which documents the legacy of the organization. The website consists of a brief history of the organization, articles written about and for NYFAI, and the homepages of board members and instructors involved with NYFAI. The website also consists of digitized images, art, and catalogs created by members and the organization from 1979-1990. The website also documents the NYFAI oral history project, activities of former members of NYFAI, and events related to feminism and art in New York City.
Subject: Arts & Humanities , Government - US States, Society & Culture , Political aspects-New York (State), Political aspects, Art, New York, New York (State), Feminism and art
Collector: Fales Library & Special Collections
Archived since: Aug, 2015
Description:
Paper Tiger Television (PTTV), established in 1981, has been creating investigative and alternative media. The programs produced at PTTV inspire community productions and activism around the world. Its archive includes shows that provide critical analysis of media, educate about the communications industry and highlight issues that are absent from mainstream information sources. Through the production and distribution of public access series, media literacy/video production workshops, community screenings, videos on the website, and grassroots advocacy PTTV works to challenge and expose the corporate control of mainstream media. PTTV believes that increasing public awareness of the negative influence of mass media and involving people in the process of making media is mandatory for the long-term goal of information equity.
Subject: Arts & Humanities , Society & Culture , Television--New York (State)--New York, Paper Tiger Television Collective (Firm)
Publisher: Paper Tiger Television Collective (Firm)
Collector: Fales Library & Special Collections
Archived since: Aug, 2015
Description:
The Fugs, a group of poet-musicians, were virtually conceived and developed on the off-Broadway stage. They performed first at the Bridge Theater. After a run of a full two weeks, Ed Sanders, poet, editor, owner of the fabled Peace Eye Book Store and leader of the group, decided the show was ready for a cross-country tour. In a borrowed Volkswagen bus, the Fugs stormed suprised academies from the Kinsey Institute in Bloomington, Indiana to the University of Kansas and on to Berkeley. The Fugs satirized everything from political involvement and patriotism to rock and roll, from war and hate to super-abundant love. The Fugs performed about 15 of their 110 songs per show and presented 12 shows a week during their theater runs. Rather than object to the rigor of the long run, they became more and more intrigued by the possibibilities of the theater through constantly changing and adding to their repertoire. The Fugs were an ever-evolving improvisational review. The Fugs consisted of three members: Tuli Kupferberg, native New Yorker and one of the leading Anarchist theorists of our time,
Ken Weaver, humorist and poet, and Ed Sanders, poet and leader of the group.
Subject: Arts & Humanities , Government - US States, Society & Culture , Beat generation--New York (State), New York Protest songs, Folk-rock music--New York (State), Fugs (Musical group)
Publisher: Fugs (Musical group)
Collector: Fales Library & Special Collections
Archived since: Aug, 2015
Description:
This collection contains the website for the Theater for the New City from 2009-2017. The website contains information about productions and production credits, schedules, a full production history from the 1970s-2007, a list of all of the awards TNC and TNC productions received since the 1970s, fundraising including the Mortgage Burning Celebration, personnel associated with the Theater, their volunteer program, and theater rental information and rates for their four stages. It also includes information on the Resident Theater Program, the Annual Summer Street Theater Tour, the Presenting Program, the Annual Thunderbird American Indian Dancers Annual Dance Concert and Pow-Wow; Arts in Education Program, and the Community Festival Program. It also includes a blog written by Crystal Field, the executive director and co-founder of the Theater for the New City. The blog was written in 2012 and covers topics such as the Street Theater, the Lower East Side Festival of the Arts, and the Sandy Hook Elementary School Massacre.
Subject: Arts & Humanities , Society & Culture , Government - US States
Collector: Fales Library & Special Collections
Archived since: Apr, 2015
No description.
Subject: Arts & Humanities , Society & Culture
Archived since: Apr, 2024
Description:
Alliance for Cultural Democracy (ACD) was an activist arts organization active in the 1980s and 1990s. ACD began in December 1976 as the Neighborhood Arts Programs National Organizing Committee (NAPNOC). The founding meeting was held at the United Auto Workers’ Family Education Center in Black Lake, Michigan, in December 1976, bringing together two dozen community arts activists and allies from all over the country, many of whom had been supported through the Comprehensive Employment and Training Act(CETA). The organizers began publishing a newsletter, <emph render="italic">NAPNOC Notes</emph>, to maintain communication and dialogue. The organization was funded by the Department of Labor from 1977 through 1979. It grew to include over 150 cultural groups and many cultural workers based in urban, suburban, and rural settings, including muralists, theater people, videographers, craftspeople, musicians, photographers, publishers, organizers, and activists. As federal funding waned, the goals and definition of the organization evolved to encompass a broader vision of what became known as “cultural democracy”, the idea that cultural, racial, gender, national, ethnic, and other communities in global society had the right to exert their identities, practices, and arts through cultural, community, and aesthetic expressions at all levels. In 1983 the group changed its name to the Alliance for Cultural Democracy and <emph render="italic">NAPNOC Notes</emph> became <emph render="italic">Cultural Democracy</emph>, which was published on a mostly quarterly basis. Its most successful national campaigns were its efforts to promote a “Cultural Bill of Rights," as well as an effort to create an alternative to the 1992 Columbus Quincentennial. This campaign was inspired by the work of Indigenous and other BIPOC organizations in the U.S. and Latin America, and brought together a vast array of political, cultural, and community groups to counter the dominant culture’s narrative of the “discovery of the New World“ with one of resistance by Indigenous and other communities. ACD members played important roles in infusing cultural activism into organizing efforts around anti-gentrification and Central American solidarity, and also established ties with cultural activists in other countries. In the later 1980s and early 1990s, changing funding patterns for the arts, along with the urgency of the Gulf War and other national and international issues redirected much of ACD members’ energy. Additionally, the counter-quincentennial work raised concerns about how the organization addressed LGBTQ+ and BIPOC issues, and several BIPOC Board members resigned. Additionally, after the death of one of the key Board members in 1993 the organization began to slowly dissolve, formally ending around 1996.
Subject: Arts & Humanities , Society & Culture
Archived since: Jan, 2015
Description:
Contents of the newspaper, magazine, and website of the Communist Party, USA.
Subject: Arts & Humanities , Politics & Elections, Society & Culture
Creator: Timothy Johnson
Page 1 of 1 (13 Total Results)
