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Collection: Electronic Literature: Collections of Works
Description: A literary web journal (1998-2002) publishing hypertext and hypermedia fiction, poetry, and theory along with interviews with artists and theorists. ISSN: 1528-8102. Entry drafted by: Joseph Tabbi
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Subject: theory, hypertext, hypermedia, fiction, Critical/philosophical, literary journal, poetry, scholarly essays
Collection: Electronic Literature: Context
Description: The Electronic Poetry Center provides resources centered on digital and contemporary poetries, new media writing, and literary programming. It serves as a portal of electronic poetry and hosts author pages and works. Entry drafted by: Patricia Tomaszek
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Subject: electronic poetry, poetics, author library
Collection: Electronic Literature: Context
Description: The group blog is about computer mediated and computer generated works of many forms: interactive fiction, net.art, electronic poetry, interactive drama, hypertext fiction, computer games of all sorts, shared virtual environments, and more. Contributors work as both theorists and developers, and are interested in authorship, design, and technology, as well as issues of interaction and reception. Entry drafted by: Patricia Tomaszek
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Subject: hypertext, computer games, events, interactive fiction, news, interactive drama, reviews, virtual environments, poetry, blog
Creator: Mary Flanagan, Michael Mateas, Nick Montfort, Scott Rettberg, Andrew Stern, Noah Wardrip-Fruin
Language: English
Collector: ELO
Collection: Electronic Literature: Context
Description: The Electronic Literature Organization (ELO) is a 501(c)(3) nonprofit organization established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature. Since its formation, the Electronic Literature Organization has worked to assist writers and publishers in bringing their literary works to a wider, global readership and to provide them with the infrastructure necessary to reach one another. The ELO's main site features an archive of news about the field and information about the organization and its activities. Entry drafted by: Scott Rettberg
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Subject: context, Events, Organization, News
Collection: Electronic Literature: Collections of Works
Description: In close affiliation with Rhizomes, a parent journal of HyperRhiz, this Site hosts experimental web-based projects. HyperRhiz also provides a forum for the presentation of electronic installations, games, and performances through the use of archival video, photo, and text documentation. It is a peer-reviewed online journal of net art and electronic literature that is published twice-yearly. The journal features an integrated weblog for ongoing news of interest, an online forum for teachers of electronic literature, and a wiki for experimental writing. These features provide a forum for scholars and practitioners of new media culture. The editor's interest lies "in the genres of electronic discourse, and how these formats might affect the expression of complex discourses within new media." HyperRhiz welcomes submissions of net-ready art projects, electronic literature works, and review essays. As the journal's name suggests, works written in the spirit of Deleuzian approaches are welcomed but not required. ISSN: 1555-9351. Entry drafted by: Patricia Tomaszek
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Subject: hypertext, context, reviews, critical essays, online forum, video
Collection: Electronic Literature: Individual Works
Description: Gabriella Infinita, a metamorphical work, is a lesson in the evolution of the internet. Three versions of the text are available: Novel, Hypertext and Hypermedia. In the tale, Gabriella arrives at the apartment of her lover, Frederico, the author, only to find him disappeared. In his stead, she has only his things, his writings, his clippings, his recordings. At the same time, in a parallel narrative, a group of people try to escape a building. They are trapped, moreso than they think, for they are characters in one of his stories. Since Rodríguez Ruiz made all of these versions available on the web (with commentaries), they serve as an excellent study in the forms themselves. In no way a lesson in progress, the adaptations and translations of his own tale reveal the strengths and limitations of these forms. Entry drafted by: Mark C. Marino
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Collection: Electronic Literature: Collections of Works
Description: Poems that Go was an online literary journal that showcased kinetic, digital poems quarterly from 2000-2004. The journal was motivated by the question “What makes a poem a poem?” particularly when that poem is configured in digital form that goes beyond the written word by intersecting motion, sound, image, text, and code. The site features an extensive collection of Flash-based poems that display poetry to be multimodal and excitingly experimental. Entry drafted by: Patricia Tomaszek
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Subject: new media art, Flash, Animation/Kinetic, critical essays, aesthetics, Quick Time, poetry
Collection: Electronic Literature: Collections of Works
Description: The journal Iowa Review Web started to publish electronic writing in 1999. It includes - along with electronic literature - other varieties of experimental writing and art, author interviews, critical articles, and essays. ISSN number: 1541-972X. Entry drafted by: Patricia Tomaszek
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Subject: theory, hypertext, criticism, essays, fiction, literary journal, interviews, reviews, poetry, art
Collection: Electronic Literature: Individual Works
Description: These Waves of Girls is a hypermedia novella exploring memory, girlhoods, cruelty, childhood play, and lesbian sexuality. The piece is composed as a series of small stories, artifacts, interconnections, and meditations from the point of view of a girl (or girls) at various ages from four to twenty. Fisher's work is distinct for its hypermedia features: each text passage is illustrated by new images and therefore presents a new interface for each chunk of text, some passages are read by the author. On the level of content, the story's characters try to find and come to terms with their sexuality. Figuratively, this construction of self is mirrored in the hypertextual structure Fisher makes use of: The reader witnesses the characters' identity construction by following one link after the other, coming closer to what identity means to the stories' characters': "We've all been fifteen. I look very much the same, only at fifteen I'm a little larger, a little stronger. I'll believe anything. I tell people I believe nothing." Entry drafted by: Patricia Tomaszek
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Subject: hypertext, flash, women authors, audio, fiction, dhtml, html, sexuality, memoir
Page 1 of 1 (9 Total Results)
