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Description: Drawing has long been known to show the thought process of the artist because of its physical immediacy and the way it encourages fast, informal iteration. In contrast , the history of programming has been toward a universal language that can tackle common challenges homogeneously. This MFA Thesis uses the principles of rule-based and generative art to cross the borders between drawing and coding.
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Subject: Art
Group: Creative Technologies Theses
Creator: Kim, Alison
Type: Image , Text
Date: 2014
Rights: http://rightsstatements.org/vocab/InC/1.0/
Description: Homepage for ImageBase with select images digitized by Special Collections and University Archives in the Virginia Tech University Libraries.
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Subject: Libraries
Publisher: Virginia Tech Special Collections and University Archives
Type: Collection, Text, Image
Description: Taking readers on an itinerant journey through Jake Lamar’s novel Rendezvous Eighteenth, Tyechia Thompson, practitioner of Black Paris, explores narratives of African-American expatriates in Lamar’s life, his Paris, and his work. Unfolding in six different paths, this interactive literary analysis pulls together interviews with Jake Lamar and relevant videos, showing Lamar’s chosen setting of the Eighteenth Arrondissement and treatment of race as a departure from contemporary fiction of its type. Introducing the “different side of Paris” through narrator Ricky Jenks, Lamar centers his novel on the lesser known parts of the city, enabling direct challenges to migration narratives of inclusion and racially utopic France. Building a new layer of analysis in each path, Thompson demonstrates a flexible approach to text, showing the complexities of Rendezvous Eighteenth in both form and content.
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Subject: Black Paris, Jake Lamar
Group: Digital Humanities Projects
Creator: Thompson, Tyechia
Publisher: Publishing Without Walls
Format: html
Type: Text, Image , Interactive Resource
Date: 1 July 2019
Rights: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
Identifier: https://doi.org/10.21900/pww.3
Contributor: Nguyen, Tiffany
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