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Description: "The 'Tumbling Man' is a humanoid pneumatic robot that not only tumbles, but with the aid and cooperation of two participants can attain contorted poses,sit up, and play his body as a percussion instrument." - from website, 2014 February 23
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Subject: Digital art, Sayre, Ric, McMurtrie, Chico, Robotics, Interactive art, Technology in art
Creator: Sayre, Ric, McMurtrie, Chico
Language: English
Date: 1991-1992
Identifier: https://hdl.handle.net/1813.001/wa02482
Description: Documentary about computer artist William Latham
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Subject: Latham, William, Digital art, Computer art, Computer programming
Language: English
Date: 1990-1995, 2009 November 06 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02480
Description: "Memory Theater VR invites the visitors to enter a panorama rotunda. A circular screen both marks the boundary of the virtual reality environment and forms a virtual theater." - from website, 2014 February 23
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Subject: Digital art, Hegedüs, Agnes, Interactive art, Interactive media, Installations (Art), Computer animation, Multimedia installations (Art), Virtual reality in art
Creator: Hegedüs, Agnes
Language: English
Date: 1997, 2009 May 14 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02477
Description: "The installation is a 2-level schematization of this telematic Gaia. One level is presented in tents, with computer graphic images contributed by networkers around the world, and which can be further manipulated by participants in the tents. Each tent provides a "Bird's-Eye" view from above, with different kinds of interaction. The second level is a tunnel, representing the inner earth. Participants propel themselves, on their backs, on a small rail-car, down a tunnel which presents thoughts, comments, and ideas about the earth on LED signs, which have been submitted by networkers from around the world. These signs can be ever-changing as networkers continue to input new ideas." --2/12/2015, from The Archive of Digital Art website, https://www.digitalartarchive.at/database/general/work/aspects-of-gaia.html
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Subject: Digital art, Ascott, Roy, Interactive art, Multimedia installations (Art), Computer graphics
Creator: Ascott, Roy
Date: 2009 April 02 (Uploaded), 1989
Identifier: https://hdl.handle.net/1813.001/wa02476
Description: "The Documentary 'Stelarc Psycho Cyber' was made in the year 1996 and directed and produced by Mic Gruchy.It is a comprehensive one hour documentary of the 30 year body of work of Australian electronic media and performance artist Stelarc." -- from the website, 2/12/2015
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Subject: Digital art, Performance art, Cybernetics, Multimedia art, Electronic art, Robotics, Stelarc, 1946-
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Subject: Digital art
Creator: Lye, Len, 1901-1980
Date: 1935, 2008 May 14 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02473
Description: "Demonstration of Varetra Nicolas De Schöffer. Workshop with Mrs. Barraux and testing of renaud ruhlmann." -- translated from the website, 2/12/2015
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Subject: Digital art, Schöffer, Nicolas, 1912-1992, Projection art, Multimedia art, Light art
Creator: Schöffer, Nicolas, 1912-1992
Language: French
Identifier: https://hdl.handle.net/1813.001/wa02472
Description: "... an informational demo that shows how virtual reality technology was being used in the early 1990's. Content includes visualizations created by elementary school students, atmospheric surveys, underwater applications, industrial development and military simulations." - from website, 2014 April 18
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Subject: Digital art, Virtual reality, Computer graphics, Computer programming
Language: English
Date: 1993, 2008 January 08 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02469
Description: "Trailer for the new Red vs Blue Video Game!" -- from the website, 2/12/2015
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Subject: Digital art, Computer games -- Design
Language: English
Date: 2008 November 18 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02467
Description: "Documentation at InterAccess of Stelarc's Prosthetic Head" - from website, 2014 April 18
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Subject: Digital art, Stelarc, 1946-, Artificial intelligence, Computer programming, Interactive media, Interactive art, Computer graphics
Creator: Stelarc, 1946-
Language: English
Date: 2012 July 23 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02466
Description: Part 1 of 3 of Marshall McLuhan's 'The Medium is the Message' lecture from 1977 "McLuhan is known for coining the expressions the medium is the message and the global village, and for predicting the World Wide Web almost thirty years before it was invented. Although he was a fixture in media discourse in the late 1960s, his influence began to wane in the early 1970s. In the years after his death, he continued to be a controversial figure in academic circles. With the arrival of the internet, however, interest in his work and perspective has renewed." -- taken from the Wikipedia entry for Marshal McLuhan, 2/12/2015
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Subject: Digital art, McLuhan, Marshall, 1911-1980, Media, Mass media
Creator: McLuhan, Marshall, 1911-1980, ABC Radio (Australia)
Language: English
Date: 27 June 1977, 2011 August 09 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02464
Description: Video documentation of an interactive 3D virtual reality installation
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Subject: Digital art, Virtual reality, Computer graphics, Computer animation, Interactive art, Installations (Art), Thiel, Tamiko
Creator: Thiel, Tamiko
Language: English
Date: 2006
Identifier: https://hdl.handle.net/1813.001/wa02454
Description: Video documentation of Agam's Bleu Movement posted by the Elite Decorative Arts Auction House and Gallery prior to the October 2012 sale.
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Subject: Digital art, Agam, Yaacov, 1928-, Kinetic sculpture, Multimedia art
Creator: Agam, Yaacov, 1928-
Language: English
Date: 1972, 2012 September 26 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02463
Description: Toshio Iwai discusses the visual-musical interface
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Subject: Digital art, Iwai, Toshio, Interactive art, Installations (Art), Mechanical musical instruments
Creator: Iwai, Toshio
Language: English
Date: 2008 January 04 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02462
Description: Video documentation of Nicolas Schöffer's piece: Chronos 5
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Subject: Digital art, Robotics, Installations (Art), Kinetic sculptures, Computer programming, Schöffer, Nicolas, 1912-1992
Creator: Schöffer, Nicolas, 1912-1992
Language: English
Date: 1960
Identifier: https://hdl.handle.net/1813.001/wa02461
Description: Video documentation of Norman White's "The Helpless Robot" captured during the 1995 Net@Works exhibition of Canadian New Media Art at the Centro Nacional de las Artes in Mexico City. - from website, 2014 April 18
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Subject: Digital art, White, Norman, 1938-, Robotics, Interactive art
Creator: White, Norman, 1938-
Date: 2011 April 29 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02458
Description: "Tamiko Thiel and Zara Houshmand, machinima demo of the interactive 3D virtual reality installation (2000)." - from website, 2014 April 21
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Subject: Digital art, Thiel, Tamiko, Houshmand, Zara, Virtual reality, Computer programming, Interactive media, Interactive art
Creator: Thiel, Tamiko, Houshmand, Zara
Language: English
Date: 2000, 2007 November 25 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02457
Description: "At his first exhibition at the Galerie Craven in Paris, 45 transformable works were exhibited. He later explored other art forms but continued with this type of work through his entire career." -- from the website, 2/12/2015
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Subject: Digital art, Agam, Yaacov, 1928-, Interactive art, Kinetic sculpture, Multimedia art
Creator: Agam, Yaacov, 1928-
Language: English
Date: 2009 December 02 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02456
Description: Talk by Suzanne Anker during the New York Institute for the Humanities event "Survival of the Beautiful: Artists and Scientists Ponder the Aesthetics of Evolution"; Anker discusses the influence of Art on Science.
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Subject: Anker, Suzanne, 1946-, Art and science, Digital art
Creator: Anker, Suzanne, 1946-
Language: English
Date: 2012 February 25, 2012 March 21 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02385
Contributor: New York Institute for the Humanities
Relation: Survival of the Beautiful: Artists and Scientists Ponder the Aesthetics of Evolution
Description: "Four projection screens display the head of Japanese performance artist Takeya. The movements of her head are sped up and slowed down by means of a computer and video manipulations, accompanied by deafening sound effects." - from video, 2014 April 21
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Subject: Digital art, Langheinrich, Ulf, 1960-, Granular Synthesis (Group), Hentschläger, Kurt, 1960-, Projection art, Computer art, Digital filmmaking
Creator: Granular Synthesis (Group), Langheinrich, Ulf, 1960-, Hentschläger, Kurt, 1960-
Language: English
Date: 1995, 2009 December 28 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02453
Description: Brody Condon discusses a "a series of performances loosely inspired by Trisha Brown's "Lineups" from the 1970's, of pole performances he has presented in several venues. At LACMA, ten "movers" will manipulate ten foot poles following three basic rules: poles must always stay connected, the movers will move slowly and constantly in a circle, and any viewers are to be regarded as ghosts on another plane of existence. The performance will begin at noon and end at 8 pm. The costumes are designed by Rodarte." - from website, 2014 April 21 An interview of Brody Condon, discussing his performance art piece, "Line Up (after Trisha)."
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Subject: Digital art, Performance art, Los Angeles County Museum of Art, Condon, Brody, 1974-, Dance in art
Creator: Los Angeles County Museum of Art, Condon, Brody, 1974-
Language: English
Date: 2011, 2011 April 22 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02449
Description: Recording of Casey Raes speaking at Eyeo 2011; Raes discusses Frieder Nake's computer generated artwork
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Subject: Digital art, Nake, Frieder, Raes, Casey, Computer art, Computer programming
Creator: Raes, Casey
Language: English
Date: 2011, 2011 August 07 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02445
Description: "John Whitney's demo reel of work created with his analog computer/film camera magic machine he built from a WWII anti-aircraft gun sight. Also Whitney and the techniques he developed with this machine were what inspired Douglas Trumbull (special fx wizard) to use the slit scan technique on 2001: A Space Odyssey." -- from the website, 2/13/2015
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Subject: Digital art, Whitney, John, Sr., 1917-1995, Film, Projection art, Animation
Creator: Whitney, John, Sr., 1917-1995
Language: English
Date: 1961
Identifier: https://hdl.handle.net/1813.001/wa02448
Description: "Just an old video on the Electroplankton website that I wanted to preserve." -- from the website, 2/13/2015
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Subject: Digital art, Iwai, Toshio, Animation, Interactive art, Installations (Art), Sound in art
Creator: Iwai, Toshio
Date: 2011 August 12 (Uploaded), 1982-2002
Identifier: https://hdl.handle.net/1813.001/wa02505
Description: Background of Suzanne Anker's talk at the New York Institute for the Humanities event "Survival of the Beautiful: Artists and Scientists Ponder the Aesthetics of Evolution"; Anker discusses the connections between art and science.
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Subject: Art and science, Digital art, Anker, Suzanne, 1946-
Creator: Anker, Suzanne, 1946-
Language: English
Date: 2012, 2012 March 29 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02382
Relation: Survival of the Beautiful: Artists and Scientists Ponder the Aesthetics of Evolution
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Subject: Digital art, Electronic art, Video art, Sound in art, Electronic music, Computer animation, Paik, Nam June, 1932-2006
Creator: Paik, Nam June, 1932-2006
Source: Clip from: PBS. Medium is the Medium
Language: English
Identifier: https://hdl.handle.net/1813.001/wa02504
Description: "In 2010, Harwood and Yokokoji, in conjunction with Demars, exhibited their Coal Fired Computers (300,000,000 Computers - 318,000 Black Lungs ) at the AV Festival 10 - Discovery Museum, Newcastle" - from website, 2014 May 02 Harwood discusses the piece Coal Fired Computers
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Subject: Coal miners -- Diseases, Coal Strike (Great Britain : 1984-1985), Digital art, Installations (Art), Multimedia art, Technology in art, Interactive art, Harwood, Graham, 1960-, Demars, Jean, Yokokoji, Matsuko, YoHa
Creator: Harwood, Graham, 1960-, Faculti Media
Language: English
Date: 2013 June 30 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02384
Description: Sensorband performance at Nighttown, Rotterdam "'Oscillation performance' and 'the SoundNET'. In the SoundNET performance the Sensorband (Edwin van der Heide. Zbingniew Karkowski, Atua Tanaka) mount a net-structure of 8 x 10 meters. Sensors attached to the ropes register differences in tension and convert these into sound." - from video
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Subject: Digital art, van der Heide, Edwin, Karkowski, Zbingniew, Tanaka, Atua, Sensorband, Performance art
Creator: Sensorband, van der Heide, Edwin, Karkowski, Zbingniew, Tanaka, Atua, Sound installations (Art), Light art, Projection art, Technology in art
Date: 2010 November 12 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02498
Description: SymbioticA is a life sciences artistic laboratory based at the University of Western Australia Highlights of the February 2011 exhibition "Visceral: The Living Art Experiment" from the Science Gallery, Trinity College, Dublin, Ireland. The exhibition concerned the previous decade of work by SymbioticA. "VISCERAL incorporates ten years of SymbioticA's challenging work at the frontier between fine art and biotechnology and forms a series of provocations and puzzles around the nature of the living and non-living. Curated by Oron Catts and Dr. Ionat Zurr, the works are occasionally playful, frequently uncanny and may even appear to be sentient." -- from the YouTube video page, 3/16/2015
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Subject: SymbioticA (Perth (W.A.)), Art and science, Digital art, Technology in art, Multimedia installations (Art), Interactive art
Source: Science Gallery (Dublin, Ireland)
Language: English
Date: 2011 February
Identifier: https://hdl.handle.net/1813.001/wa02496
Description: Documentation of a robotics Show staged at Pier 70, San Francisco on May 28, 1994
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Subject: Robotics, Digital art, Interactive art, Multimedia art
Creator: Survival Research Laboratories
Language: English
Date: 1994 May 28
Identifier: https://hdl.handle.net/1813.001/wa02481
Description: "The interactive art installation »Liquid Views« is a simulation of water in which the viewer's reflection is portrayed as in real water. A finger tip on the touch-sensitive screen releases waves and causes the self-portrait to dissolve." - from website, 2014 February 23
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Subject: Narcissus (Greek mythology), Digital art, Fleischmann, Monika, 1950-, Strauss, Wolfgang, Digital filmmaking, Interactive art, Installations (Art)
Creator: Fleischmann, Monika, 1950-, Strauss, Wolfgang
Language: English
Date: 1992-1993
Identifier: https://hdl.handle.net/1813.001/wa02479
Description: "Telematic Vision' consists of a structure, identical in each case, at two locations that can be as far away from each other as wished, and are connected by telephone: a blue sofa, opposite it a large monitor, and a small monitor on each side of the sofa. A video camera records the events on the sofa and sends the images to a video mixer. The pictures from the two locations are mixed and transmitted to the large monitors. Additionally, live television images are fed in as a background. Person A sits on the blue sofa in one location. Person B sits on the blue sofa in the other location. On the large monitor the two people see themselves sitting together on a sofa, whose 'cover' is made up of television images. The two (or more) people on the sofas can react to each other and to the situation through mime and gestures and communicate with each other. They find themselves together in a virtual space, despite the distance separating them. Sofa and television evoke the everyday situation of passive TV consumers, though here they are involved in an open, complex form of action and interaction. At the same time the people sitting on the sofa become actors performing in front of the public standing around them." -- 2/11/2015, from http://www.medienkunstnetz.de/works/telematic-vision/
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Subject: Digital art, Löbe, Torsten, Sermon, Paul, 1966-, Video art, Interactive art, Interactive media, Virtual reality
Creator: Löbe, Torsten, Sermon, Paul, 1966-
Date: 2009 October 23 (Uploaded), 2009 September 10
Identifier: https://hdl.handle.net/1813.001/wa02478
Description: "Documentation produced 1988, Museum of Natural History, Vernon: The participant's image is digitized to create silhouettes which is analyzed by specialized processors. The processors analyze the image's posture, rate of movement, and its relationship to other graphic objects in the system. They then react to the movement of the participant and create a series of responses-be they visual or auditory reactions. Two or more environments could also be linked." - from website, 2014 April 18
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Subject: Digital art, Krueger, Myron W., Hinrichsen, Katrin, Gionfridd, Tom, Sonnanburg, Joan, Virtual reality, Projection art, Computer art, Interactive art
Creator: Krueger, Myron W., Hinrichsen, Katrin, Gionfridd, Tom, Sonnanburg, Joan
Language: English
Date: 1988
Identifier: https://hdl.handle.net/1813.001/wa02474
Description: "This is a section of a short film by Lazlo Moholy Nagy from the 1930's. Moholy Nagy taught at the Bauhaus in Weimar and then in Dessau by Walter Gropius." -- translated from the website, 2/12/2015
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Subject: Digital art, Moholy-Nagy, László, 1895-1946, Technology in art, Films
Creator: Moholy-Nagy, László, 1895-1946
Language: Italian
Date: circa 1930, 2008 February 03 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02471
Description: Interview with Simon Penny concerning his robotic sculpture Petit Mal
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Subject: Digital art, Hauser, Jens, Penny, Simon, Interactive art, Robotics, Sculpture, Computer programming
Creator: Penny, Simon, Hauser, Jens
Language: English
Date: 2009 September 26 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02470
Description: "D'abord peintre, puis sculpteur, urbaniste, architecte, théoricien de l'art, Nicolas Schöffer a été un des artistes les plus importants de la seconde moitié du XXème siècle. Pionnier de l'art cybernétique, artiste non commercial, on le connaît moins que d'autres, car, consacré à la recherche fondamentale en art, il crée surtout à l'échelle de la ville, dans laquelle il veut redonner aux hommes de notre époque le plaisir de vivre à l'abri de toutes sortes de pollutions visuelles autant qu'auditives." -- from the website, 2/12/2015 "Originally a painter and sculptor, urban planner, architect, art theorist, Nicolas Schöffer was one of the most important artists of the second half of the twentieth century. Pioneer of cybernetic art, not a commercial artist, is known less than others, as devoted to basic research in art, he created especially across the city in which he wants to give back to the people of our then the pleasure to live free from all kinds of visual and auditory pollution as much." --translated from the website, 2/12/2015
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Subject: Digital art, Schöffer, Nicolas, 1912-1992, Cybernetics, Robotics, Multimedia art, Interactive art
Language: French
Date: 1959, 2010 September 12 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02468
Description: "... Thomas Wilfred['s] Clavilux in operation. This was the first day it has operated in nearly 50 years.... There were 14 of these small units built and only seven are known to exist. This one has just gone through a mechanical and cosmetic preservation." - from website, 2014 April 18
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Subject: Digital art, Wilfred, Thomas, 1889-1968, Projection art, Light art
Description: "LPDT2 is the Second Life incarnation of Roy Ascott's groundbreaking new media art work La Plissure du Texte ('The Pleating of the Text'), created in 1983" - from video, 2014 April 18
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Subject: Digital art, Ascott, Roy, Virtual reality, Computer programming, Computer games -- design, Interactive art
Language: English
Date: 2010 August 22, 2010 September 03 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02460
Description: Documentary clip concerning Dr. Grey Walter, "... a neurologist, [and] robotics pioneer... he built reactive, autonomous robots that could wander about and avoid obstacles. Each robot had two simulated neurons, sufficient for them to display complex behavior. Significantly, Walter's tortoises represent the first real world demonstration of artificial life." - from website, 2014 April 18
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Subject: Digital art, Walter, Dr. Grey, Robotics, Cybernetics
Description: "... outtake from the film about the almost unbelievable life of Bruce Lacey, made by Jeremy Deller and Nick Abrahams, showing Bruce and his robot ROSA BOSOM at the Kinetica Art Fair in 2010." - from website, 2014 April 21
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Subject: Digital art, Lacey, Bruce, Robotics, Interactive art, Computer programming, Multimedia art
Source: The Bruce Lacey Experience
Language: English
Date: 2010, 2012 July 19 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02455
Description: Demonstration of the work "Lumino," by Nicolas Schöffer.
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Subject: Digital art, Schöffer, Nicolas, 1912-1992, Projection art, Light art, Installations (Art), Sound installations (Art), Multimedia installations (Art)
Creator: Schöffer, Nicolas, 1912-1992
Source: Galerie 47
Date: 1968, 2011 August 11 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02451
Description: Lecture by Stelarc "Famed for pushing the boundaries of performance art and biotechnology, Stelarc previews startling new scientific developments set to transform our relationships to our bodies and our selves." -- from the website, 2/13/2015
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Subject: Digital art, Stelarc, 1946-, Institute of Art and Ideas, Human biology, Computer animation, Robotics, Biotechnology, Nanotechnology
Creator: Stelarc, 1946-, Institute of Art and Ideas
Language: English
Date: 2013 February 21 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02452
Description: "For this exhibition [Made Real] Scott Kildall and Nathaniel Stern, artists and co-founders of Wikipedia Art take these networks [social, political, physical and digital] as their artistic materials and play-spaces to create artworks about love, power-play and a new social reality." - from website, 2014 May 02 Documentation of the 2011 exhibition by Scott Kildall and Nathaniel Stern at the Furtherfield Gallery; includes interviews with the artists
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Subject: Wikipedia, Social networks, Digital art, Stern, Nathaniel, 1977-, Kildall, Scott, Interactive art, Internet -- Social aspects, Mass media and art
Creator: Stern, Nathaniel, 1977-, Kildall, Scott
Language: English
Date: 2011 May
Identifier: https://hdl.handle.net/1813.001/wa02388
Contributor: Furtherfield Gallery
Description: "As part of a Russian campaign to make citizens healthier, riders who buy a ticket at Vystavochnaya station in western Moscow have the option of paying in squats." - from website, 2014 May 02
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Subject: Subways, Physical fitness, Digital art, Public art, Installations (Art)
Date: 2013, 2013 November 11 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02386
Description: "Wilfred gave his first performances on this new instrument in New York in 1922 and toured with the Clavilux in US and Europe often drawing audiences in the thousands during the 1920s. In the 1930s, he shifted his focus from performance to composition for his recently invented Lumia box, an automated device that looks similar to a television but functions like a player-piano. The Lumias slowly morphing light patterns unfolded for weeks without repeating. This shift from performance to exhibition, recontextualized Wilfreds work from the domain of music to the domain of art. Edward A. Shanken, Art and Electronic Media (Phaidon, 2009)." -- from the website, 2/13/2015
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Subject: Digital art, Wilfred, Thomas, 1889-1968, Light art, Projection art, Performance art
Creator: Wilfred, Thomas, 1889-1968
Language: English
Date: 1965-1966, 2009 August 31 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02450
Description: Interaction with Agam's Tableau Tactile Sonore at the Contemporary Museum housed in the Haus Esters in Kregeld, Germany as part of the exhibition titled "Vibrierende Bilder- Lärmende Skulpturen 1958 - 1963"
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Subject: Digital art, Kinetic sculptures, Multimedia installations (Art), Agam, Yaacov, 1928-, Sound in art
Creator: Agam, Yaacov, 1928-
Language: German
Date: 2012 October 07 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02447
Description: "The TeleGarden is an art installation that allows web users to view and interact with a remote garden filled with living plants. Members can plant, water, and monitor the progress of seedlings via the tender movements of an industrial robot arm." - from website, 2014 February 21
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Subject: Digital art, Goldberg, Ken, Interactive art, Biology in art, Robotics, Installations (Art)
Creator: Goldberg, Ken
Language: English
Date: 2011 July 18 (uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02503
Description: "This is a tribute to ASCII internet artist, Vuk Cosic and a brief history of ASCII art." - from website, 2014 February 21
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Subject: Cosic, Vuk, ASCII (Character set), net.art, Digital art, Computer art
Description: "John Whitney is considered by many to be the "Father of Computer Graphics". He started in the 1940s building clockwork mechanisms with lights to draw directly on film. Later, he bought WW2 surplus analog ballistics computers and eventually started using digital computers. I believe this one was rendered using a vector display." -- from the website, 2/13/2015
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Subject: Digital art, Whitney, John, Sr., 1917-1995, Computer animation, Computer graphics, Computer programming
Creator: Whitney, John, Sr., 1917-1995, Sadeghi, Manoochehr
Language: English
Date: 1975, 2007 April 09 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02501
Description: "The Australian performance artist Stelarc employs 'pinging' as a control mechanism for his body. His body movements are not caused by his own movements but by an external data system" - from video
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Subject: Digital art, Interactive art, Performance art, Technology in art
Creator: Stelarc, 1946-
Language: English
Date: 2009 May 08 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02500
Description: Artist Yaacov Agam discusses the fourth dimension, time, in his work
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Subject: Digital art, Interactive art, Kinetic scuplture
Creator: Agam, Yaacov, 1928-
Language: English
Date: 2010 May 21 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02499
Description: "Made For ARTS285 Colgate University" - from website, 2014 February 21
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Subject: War, Terrorism, Digital art, Schleiner, Anne-Marie, 1970-, Computer games -- Design, Video installation
Creator: Schleiner, Anne-Marie, 1970-
Date: 2008 April 23 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02497
Description: "Zach Blas is an artist, writer, and curator whose work engages technology, queerness, and politics." - from website, 2014 April 30
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Subject: Blas, Zach, Digital art, Computer programming, Computer animation, Politics in art, Gay rights, Art and technology, Multimedia installations (Art)
Description: "The Intermedia Art programme ran 2008-10. The Intermedia Art pages also contain the archive of Tate's netart projects from 2000 onwards. Tate's Intermedia Art programme focussed on art that engages the use of new media, sound and performance. Presenting a selection of artist commissions, events and broadcasts; supported by artist interviews, written articles and discussions that inform or comment on the work and its context." - from website, 2014 April 30
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Subject: Digital art, Tate Gallery -- Exhibitions, Multimedia installations (Art), Art and technology, Performance art, Computer art, Video art, Sound installations (Art)
Description: "Graham Harwood, Richard Wright and Matsuko Yokokoji collaborated together from 2004 to 2009, firstly as part of ‘Mongrel’. Their collaborations explored the complex relationships between power, art and media in a globalized world. Using a socially active aesthetic, [they] connected spaces that included simultaneously the art gallery, public phone networks, the internet and the workshop." - from website, 2014 May 02
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Subject: Harwood, Graham, 1960-, Yokokoji, Matsuko, 1960-, Digital art, Art and technology, Art and science, Multimedia art, Installations (Art), Performance art, Databases
Creator: Harwood, Graham, 1960-, Yokokoji, Matsuko, 1960-
Language: English
Identifier: https://hdl.handle.net/1813.001/wa02380
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Identifier: https://hdl.handle.net/1813.001/wa02330
Description: Documentation of a 2011 exhibition of Jesus Rafael Soto's work at the Haunch of Venison Gallery.
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Subject: Soto, Jesús Rafael, 1923-2005, Haunch of Venison (Gallery : New York, N.Y.), Digital art, Multimedia art, Sculpture
Creator: Soto, Jesús Rafael, 1923-2005
Source: Haunch of Venison (Gallery : New York, N.Y.)
Language: English
Date: 2011 May - July
Identifier: https://hdl.handle.net/1813.001/wa02495
Description: "Jesús Rafael Soto, Almost Immaterial Vibration (Vibración casi inmaterial), 1963-1964. For Jesús Rafael Soto, a pioneer of op art, the illusion of movement was a means of achieving an interactive relationship with the viewer: walk by one of his works, and the sense of motion intensifies. Almost Immaterial Vibration is among the first of his "classic" Escrituras (Writings)—optically vibrant paintings with hanging elements that resemble handwriting and seem to pulsate with energy. The Escrituras freed Soto from the confines of the surface, allowing him to "draw in space." On the right side of this two-part painting, the hanging rods are gray-green and appear to dissolve almost completely into the highly energized background. On the left, the rods are black and more individually distinguishable. Rather than representing the world around us, Soto's illusionism plays with the physical shortcomings of our eyes, creating a space in constant flux that we perceive as two-dimensional. It is the surface of this painting that appears to be in motion. Lynn Zelevansky, Curator, 2004" -- from the website, 3/16/2015
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Subject: Digital art, Sculpture, Soto, Jesús Rafael, 1923-2005, Multimedia art
Creator: Soto, Jesús Rafael, 1923-2005
Source: Los Angeles County Museum of Art
Language: English
Date: 1963-1964, 2011 October 25 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02493
Description: "Blue Sail by Hans Haacke from 1965. In the new museum De Timmerfabriek in Maastricht, Holland. The exhibition shows a part of the collection of FRAC Nord-pas de Calais." - from website, 2014 February 14
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Subject: Digital art, Installations (Art), Multimedia art, Sound installations (Art), Haacke, Hans, 1936-
Creator: Haacke, Hans, 1936-
Date: 1965, 2011 August 12
Identifier: https://hdl.handle.net/1813.001/wa02494
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