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Description: The personal website of artist Camille Utterback. "Camille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world." -- from the website, 2/3/2015
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Subject: Digital art, Utterback, Camille, Interactive art, Sculpture , Installations (Art), Kinetic sculpture, Computer programming
Description: "Scott Kildall creates algorithms, sculptures, performances and videos, which repurpose networks of communication and production. His work frequently explores themes of future-thinking and translation between the virtual and the real." - from website, 2014 May 02
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Subject: Kildall, Scott, Digital art, Performance art, Installations (Art), Sculpture , Video art, Computer programming, Interactive art
Description: "Nathaniel Stern is an artist and writer, Fulbright grantee and professor, interventionist and public citizen. He has produced and collaborated on projects ranging from ecological, participatory and online interventions, interactive, immersive and mixed reality environments, to prints, sculptures, videos, performances and hybrid forms." - from website, 2014 May 02
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Subject: Stern, Nathaniel, 1977-, Interactive art, Digital art, Multimedia installations (Art), Performance art, Sculpture , Computer art
Creator: Stern, Nathaniel, 1977-
Language: English
Identifier: https://hdl.handle.net/1813.001/wa02376
Description: "A pioneer in the field of electronic art, Alan Rath builds mechanical sculptures infused with uncannily life-like characteristics.... Though often viewed solely through the lens of "digital art" or "new media," Rath's work is first and foremost sculpture, constructed with a deeply refined sense of formal elegance and a broad understanding of art historical context." - http://www.hosfeltgallery.com/index.php?p=artists&a=Alan%20Rath
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Subject: Rath, Alan, 1959-, Digital art, Electronic art, Multimedia installations (Art), Sculpture , Video installations (Art), Installations (Art)
Description: Started in 1995 by Amy Franceschini, Futurefarmers is a design studio. "While we collaborate with scientists and are interested in scientific inquiry, we want to ask questions more openly. Through participatory projects, we create spaces and experiences where the logic of a situation disappears... We use various media to create work that has the potential to destabilize logics of "certainty". We deconstruct systems such as food policies, public transportation and rural farming networks to visualize and understand their intrinsic logics." - from website, 2014 April 29
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Subject: Futurefarmers (Firm), Technology -- Social aspects, Digital art, Performance art, Interactive art, Installations (Art), Robotics, Sculpture
Creator: Futurefarmers (Firm)
Language: English
Identifier: https://hdl.handle.net/1813.001/wa02418
Contributor: Franceschini, Amy, Swaine, Michael, Schiffeleers, Stijn, Vranken, Lode, Kamenskaya, Anya, Allende, Dan, Windsor, Cooley
Description: Interview with Simon Penny concerning his robotic sculpture Petit Mal
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Subject: Digital art, Hauser, Jens, Penny, Simon, Interactive art, Robotics, Sculpture , Computer programming
Creator: Penny, Simon, Hauser, Jens
Language: English
Date: 2009 September 26 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02470
Description: Documentation of a 2011 exhibition of Jesus Rafael Soto's work at the Haunch of Venison Gallery.
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Subject: Soto, Jesús Rafael, 1923-2005, Haunch of Venison (Gallery : New York, N.Y.), Digital art, Multimedia art, Sculpture
Creator: Soto, Jesús Rafael, 1923-2005
Source: Haunch of Venison (Gallery : New York, N.Y.)
Language: English
Date: 2011 May - July
Identifier: https://hdl.handle.net/1813.001/wa02495
Description: "Jesús Rafael Soto, Almost Immaterial Vibration (Vibración casi inmaterial), 1963-1964. For Jesús Rafael Soto, a pioneer of op art, the illusion of movement was a means of achieving an interactive relationship with the viewer: walk by one of his works, and the sense of motion intensifies. Almost Immaterial Vibration is among the first of his "classic" Escrituras (Writings)—optically vibrant paintings with hanging elements that resemble handwriting and seem to pulsate with energy. The Escrituras freed Soto from the confines of the surface, allowing him to "draw in space." On the right side of this two-part painting, the hanging rods are gray-green and appear to dissolve almost completely into the highly energized background. On the left, the rods are black and more individually distinguishable. Rather than representing the world around us, Soto's illusionism plays with the physical shortcomings of our eyes, creating a space in constant flux that we perceive as two-dimensional. It is the surface of this painting that appears to be in motion. Lynn Zelevansky, Curator, 2004" -- from the website, 3/16/2015
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Subject: Digital art, Sculpture , Soto, Jesús Rafael, 1923-2005, Multimedia art
Creator: Soto, Jesús Rafael, 1923-2005
Source: Los Angeles County Museum of Art
Language: English
Date: 1963-1964, 2011 October 25 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02493
Page 1 of 1 (8 Total Results)
