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Description: "This is the web site of Golan Levin, an artist and educator living in Pittsburgh. I teach at Carnegie Mellon University, where I also direct the STUDIO for Creative Inquiry, an interdisciplinary arts-research center." -- from the website, 2/4/2015
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Subject: Levin, Golan, Digital art, Interactive art, Multimedia installations (Art), Projection art, Electronic art, Computer art, Computer programming, Robotics
Creator: Levin, Golan
Publisher: Levin, Golan
Language: English
Identifier: https://hdl.handle.net/1813.001/wa02336
Description: "Richard Wright is a visual artist working in animated media for over twenty years including many early pioneering digital animated films and interactive installations." - from website, 2014 May 02
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Subject: Wright, Richard, 1963-, Digital art, Digital filmmaking, Computer art, Multimedia art
Description: Incomplete archive of the mongrel work; "This particular kind Mongrel was centred around the practice of Graham Harwood and Matsuko Yokokoji 1995-2008 with input from many people all over the world but especially Richard Wright who joined Mongrel in 2004 helping us form MediaShed. in 2006." - from website, 2014 May 02
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Subject: Yokokoji, Matsuko, 1960-, Wright, Richard, 1963-, Harwood, Graham, 1960-, Digital art, Interactive art, Computer art, Computer programming
Creator: Yokokoji, Matsuko, 1960-, Wright, Richard, 1963-, Harwood, Graham, 1960-
Language: English
Date: 1995-2008
Identifier: https://hdl.handle.net/1813.001/wa02392
Description: "Here in the Normill, I [Norman T. White] design and construct appliances which, unlike toasters, are clearly pointless and useless. Hopefully they are every bit as efficient, loaded down as they are with new technology." "Norman White is a Texas-born Canadian New Media artist and pioneer of using electronics and robotics in art." - http://en.wikipedia.org/wiki/Norman_White (accessed 2014.04.24)
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Subject: White, Norman, 1938-, Robotics, Digital art, Multimedia art, Electronic art, Computer programming, Installations (Art)
Description: "Tantalum Memorial" is a series of telephony-based memorials by the artists group Harwood, Wright, Yokokoji, to the people who have died as a result of the "coltan wars" in the Congo. The installation is constructed out of electromagnetic Strowger switches -- the basis of the first automatic telephone exchange invented in 1888. The movements and sounds of the switches are triggered by the phone calls of London's Congolese community as they participate in "Telephone Trottoire" -- a concurrent project also built by the artists in collaboration with the Congolese radio program "Nostalgie Ya Mboka". - from website, 2014 May 02
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Subject: Mines and mineral resources -- Congo (Democratic Republic), Congo (Democratic Republic) -- History -- 1997-, Coltan (columbite–tantalite), Mines and mineral resources -- Political aspects, Tantalum, Digital art, Technology in art, Interactive art, Installations (Art), Harwood, Graham, 1960-, Wright, Richard, 1963-, Yokokoji, Matsuko, 1960-
Creator: Harwood, Graham, 1960-, Wright, Richard, 1963-, Yokokoji, Matsuko, 1960-
Date: 2008, 2010 December 07 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02383
Description: Brody Condon discusses a "a series of performances loosely inspired by Trisha Brown's "Lineups" from the 1970's, of pole performances he has presented in several venues. At LACMA, ten "movers" will manipulate ten foot poles following three basic rules: poles must always stay connected, the movers will move slowly and constantly in a circle, and any viewers are to be regarded as ghosts on another plane of existence. The performance will begin at noon and end at 8 pm. The costumes are designed by Rodarte." - from website, 2014 April 21 An interview of Brody Condon, discussing his performance art piece, "Line Up (after Trisha)."
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Subject: Digital art, Performance art, Los Angeles County Museum of Art, Condon, Brody, 1974-, Dance in art
Creator: Los Angeles County Museum of Art, Condon, Brody, 1974-
Language: English
Date: 2011, 2011 April 22 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02449
Description: "Just an old video on the Electroplankton website that I wanted to preserve." -- from the website, 2/13/2015
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Subject: Digital art, Iwai, Toshio, Animation, Interactive art, Installations (Art), Sound in art
Creator: Iwai, Toshio
Date: 2011 August 12 (Uploaded), 1982-2002
Identifier: https://hdl.handle.net/1813.001/wa02505
Description: Demonstration of the work "Lumino," by Nicolas Schöffer.
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Subject: Digital art, Schöffer, Nicolas, 1912-1992, Projection art, Light art, Installations (Art), Sound installations (Art), Multimedia installations (Art)
Creator: Schöffer, Nicolas, 1912-1992
Source: Galerie 47
Date: 1968, 2011 August 11 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02451
Relation: Music: Pierre Henry "spatiodynamisme I" 1963
Description: Interaction with Agam's Tableau Tactile Sonore at the Contemporary Museum housed in the Haus Esters in Kregeld, Germany as part of the exhibition titled "Vibrierende Bilder- Lärmende Skulpturen 1958 - 1963"
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Subject: Digital art, Kinetic sculptures, Multimedia installations (Art), Agam, Yaacov, 1928-, Sound in art
Creator: Agam, Yaacov, 1928-
Language: German
Date: 2012 October 07 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02447
Description: "John Whitney is considered by many to be the "Father of Computer Graphics". He started in the 1940s building clockwork mechanisms with lights to draw directly on film. Later, he bought WW2 surplus analog ballistics computers and eventually started using digital computers. I believe this one was rendered using a vector display." -- from the website, 2/13/2015
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Subject: Digital art, Whitney, John, Sr., 1917-1995, Computer animation, Computer graphics, Computer programming
Creator: Whitney, John, Sr., 1917-1995, Sadeghi, Manoochehr
Language: English
Date: 1975, 2007 April 09 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02501
Description: "Jesús Rafael Soto, Almost Immaterial Vibration (Vibración casi inmaterial), 1963-1964. For Jesús Rafael Soto, a pioneer of op art, the illusion of movement was a means of achieving an interactive relationship with the viewer: walk by one of his works, and the sense of motion intensifies. Almost Immaterial Vibration is among the first of his "classic" Escrituras (Writings)—optically vibrant paintings with hanging elements that resemble handwriting and seem to pulsate with energy. The Escrituras freed Soto from the confines of the surface, allowing him to "draw in space." On the right side of this two-part painting, the hanging rods are gray-green and appear to dissolve almost completely into the highly energized background. On the left, the rods are black and more individually distinguishable. Rather than representing the world around us, Soto's illusionism plays with the physical shortcomings of our eyes, creating a space in constant flux that we perceive as two-dimensional. It is the surface of this painting that appears to be in motion. Lynn Zelevansky, Curator, 2004" -- from the website, 3/16/2015
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Subject: Digital art, Sculpture, Soto, Jesús Rafael, 1923-2005, Multimedia art
Creator: Soto, Jesús Rafael, 1923-2005
Source: Los Angeles County Museum of Art
Language: English
Date: 1963-1964, 2011 October 25 (Uploaded)
Identifier: https://hdl.handle.net/1813.001/wa02493
Page 1 of 1 (11 Total Results)
